A 75.4 Block Marathon in Brooklyn

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Andy Newman and Barnaby, his basset hound with a trace of beagle, set out on a marathon walk around his block in Brooklyn. He was never more than 416 feet from home “a feat that has never been attempted in the history of extreme sport.”  Barnaby made it through the first 22 laps. Newman devised this adventure during a routine outing to accommodate Barnaby’s ‘call of nature’. He timed it for the day after New York’s 2009 marathon of 40,000 people running, walking or wheeling their way through five boroughs.

Newman’s marathon was a frame by frame contemplation of the static and active aspects of his neighborhood.  What he discovered that marathon day were the stuff of small “L” life:

  • Remembering neighbor’s names, reflecting on their homes, on long surviving businesses alongside new ones, on a rocking Pentecostal church, on and on as he went.
  • The gentle tap of construction hammers on a new building louder as he approached, dimmer after passing by
  • A young girl walking her dog while reading a book
  • People who simply stare out from their homes
  • An ice cream lady 100 feet from his house
  • A box of books open to takers, gradually diminishing
  • A suspicious man, a woman nursing a beer, a hipster in headphones
  • The number of steps from his house to the intersections
  • That a newly opened spa could do a pedicure on lap 50 – “digging 18 miles of road from under his toenails.”

 For the last lap, Newman roused Barnaby from a deep sleep to join him.  Halfway around the ultimate block, Newman met a man walking his dachshunds and he announced completion of the 75 block effort.  The man’s response: “And he still won’t go?”

Adapted from:   http://www.nytimes.com/2009/11/01/nyregion/01marathon.html?pagewanted=all&_r=0

“Time wounds all heels.” (From the Cabaret called ‘Shoes’)

The Sadler’s Wells Theatre in London, hosted the world premiere of ‘Shoes’ in 2010. This quirky cabaret explored Choos, Louboutins and Crocs through song and dance. Richard Thomas, the man behind Jerry Springer – The Opera, composed the music. Stephen Mear, the Tony- and Laurence Olivier-award winner choreographed.

Twelve dancers performed in more than 250 pairs of shoes including flip-flops, sparkly platforms, Ugg boots as well as outsize footwear – flippers, clown shoes, and skis. The multilevel set had the band sitting atop a giant stiletto, where some entrances were made by sliding down its insole.

Tongue in cheek: there is much irony surrounding our affection for shoes.

 Sources:

http://www.theglobeandmail.com/life/travel/shoes-on-parade-in-london/article1379072/

www.sadlerswells.com/show/shoes

http://www.theguardian.com/stage/2010/sep/08/shoes-review